My artistic practice explores traditional ink drawing and digital drawing as modes of inquiry into transcendence and inner freedom, giving visual form to experiences that exceed verbal expression.
Through intuition, silence, and contemplative practice, line, rhythm, accumulation, and dissolution become traces of this process, through which the visible approaches the invisible.
My artistic practice explores traditional ink drawing and digital drawing as modes of inquiry into transcendence and inner freedom, giving visual form to experiences that exceed verbal expression.
Through intuition, silence, and contemplative practice, line, rhythm, accumulation, and dissolution become traces of this process, through which the visible approaches the invisible.
My artistic practice explores traditional ink drawing and digital drawing as modes of inquiry into transcendence and inner freedom, giving visual form to experiences that exceed verbal expression.
Through intuition, silence, and contemplative practice, line, rhythm, accumulation, and dissolution become traces of this process, through which the visible approaches the invisible.
My artistic practice explores traditional ink drawing and digital drawing as modes of inquiry into transcendence and inner freedom, giving visual form to experiences that exceed verbal expression.
Through intuition, silence, and contemplative practice, line, rhythm, accumulation, and dissolution become traces of this process, through which the visible approaches the invisible.
My artistic practice explores traditional ink drawing and digital drawing as modes of inquiry into transcendence and inner freedom, giving visual form to experiences that exceed verbal expression.
Through intuition, silence, and contemplative practice, line, rhythm, accumulation, and dissolution become traces of this process, through which the visible approaches the invisible.

Ivana Gagić Kičinbači (b. 1980) is a Croatian contemporary artist whose practice explores drawing as a space of inquiry into transcendence, inner freedom, and the relationship between the visible and the invisible. Working across drawing, visual poetry, artist’s books, and digital printmaking, she develops a distinctive visual language in which gesture, line, rhythm, and the material qualities of the image become means of articulating experiences that resist verbal expression.
Her practice moves between the immediacy of ink on paper and the sustained, layered processes of digital drawing. In her large-scale drawings and Drawing Diaries, the line becomes a physical trace of an intuitive and deeply personal process. Expressive gestures, accumulations, dissolutions, and transparencies register the movement of thought and feeling across paper and canvas. In her digital drawings, this process continues through the layering and transformation of visual elements, allowing meaning to emerge gradually through the act of making. Her deliberately reduced compositions explore the relationship between presence and absence, materiality and immateriality, movement and stillness. Rather than illustrating predetermined meanings, her works invite sustained contemplation and an intuitive encounter with the spiritual and metaphysical dimensions of experience. Silence, solitude, and sustained attention are integral to her creative process, allowing drawing to become a form of contemplative inquiry.
The question of transcendence also informs her scholarly research. She holds a PhD in Art from the Academy of Fine Arts, University of Mostar. Her doctoral dissertation, Drawing in Contemporary Art as a Medium for Expressing the Transcendent, examines the potential of drawing to articulate spiritual and metaphysical experience within contemporary art. Her research has also resulted in two articles published in the peer-reviewed journal Religions: Attempts to Communicate the Transcendent in Contemporary Art: An Artist’s Point of View (2023) and The Quest for Inner Freedom: An Artist’s Perspective (2025). Kičinbači earned an MFA in Graphic Arts from the Academy of Fine Arts, University of Zagreb, and completed postgraduate studies in Painting at the Academy of Fine Arts and Design, University of Ljubljana. She is an Associate Professor at the Faculty of Teacher Education, University of Zagreb, where her teaching encompasses visual arts and visual communication.
Her work has been exhibited in solo and group exhibitions in Croatia and internationally, including across Europe, the United States, South America, the United Arab Emirates, and Japan. Her distinctions include the International Prize Leonardo da Vinci (2023), the Global Art Virtuoso: Elite Artistic Career Achievement Award (2024), and the El Greco – Premio de las Bellas Artes (2025), among other international recognitions. She is a member of the Croatian Association of Visual Artists (HDLU), the Association of Print Scholars (APS), Circle Foundation for the Arts, and SV Space – San Vidal in Venice.
Ivana Gagić Kičinbači (b. 1980) is a Croatian contemporary artist whose practice explores drawing as a space of inquiry into transcendence, inner freedom, and the relationship between the visible and the invisible. Working across drawing, visual poetry, artist’s books, and digital printmaking, she develops a distinctive visual language in which gesture, line, rhythm, and the material qualities of the image become means of articulating experiences that resist verbal expression.
Her practice moves between the immediacy of ink on paper and the sustained, layered processes of digital drawing. In her large-scale drawings and Drawing Diaries, the line becomes a physical trace of an intuitive and deeply personal process. Expressive gestures, accumulations, dissolutions, and transparencies register the movement of thought and feeling across paper and canvas. In her digital drawings, this process continues through the layering and transformation of visual elements, allowing meaning to emerge gradually through the act of making. Her deliberately reduced compositions explore the relationship between presence and absence, materiality and immateriality, movement and stillness. Rather than illustrating predetermined meanings, her works invite sustained contemplation and an intuitive encounter with the spiritual and metaphysical dimensions of experience. Silence, solitude, and sustained attention are integral to her creative process, allowing drawing to become a form of contemplative inquiry.
The question of transcendence also informs her scholarly research. She holds a PhD in Art from the Academy of Fine Arts, University of Mostar. Her doctoral dissertation, Drawing in Contemporary Art as a Medium for Expressing the Transcendent, examines the potential of drawing to articulate spiritual and metaphysical experience within contemporary art. Her research has also resulted in two articles published in the peer-reviewed journal Religions: Attempts to Communicate the Transcendent in Contemporary Art: An Artist’s Point of View (2023) and The Quest for Inner Freedom: An Artist’s Perspective (2025). Kičinbači earned an MFA in Graphic Arts from the Academy of Fine Arts, University of Zagreb, and completed postgraduate studies in Painting at the Academy of Fine Arts and Design, University of Ljubljana. She is an Associate Professor at the Faculty of Teacher Education, University of Zagreb, where her teaching encompasses visual arts and visual communication.
Her work has been exhibited in solo and group exhibitions in Croatia and internationally, including across Europe, the United States, South America, the United Arab Emirates, and Japan. Her distinctions include the International Prize Leonardo da Vinci (2023), the Global Art Virtuoso: Elite Artistic Career Achievement Award (2024), and the El Greco – Premio de las Bellas Artes (2025), among other international recognitions. She is a member of the Croatian Association of Visual Artists (HDLU), the Association of Print Scholars (APS), Circle Foundation for the Arts, and SV Space – San Vidal in Venice.
Ivana Gagić Kičinbači (b. 1980) is a Croatian contemporary artist whose practice explores drawing as a space of inquiry into transcendence, inner freedom, and the relationship between the visible and the invisible. Working across drawing, visual poetry, artist’s books, and digital printmaking, she develops a distinctive visual language in which gesture, line, rhythm, and the material qualities of the image become means of articulating experiences that resist verbal expression.
Her practice moves between the immediacy of ink on paper and the sustained, layered processes of digital drawing. In her large-scale drawings and Drawing Diaries, the line becomes a physical trace of an intuitive and deeply personal process. Expressive gestures, accumulations, dissolutions, and transparencies register the movement of thought and feeling across paper and canvas. In her digital drawings, this process continues through the layering and transformation of visual elements, allowing meaning to emerge gradually through the act of making. Her deliberately reduced compositions explore the relationship between presence and absence, materiality and immateriality, movement and stillness. Rather than illustrating predetermined meanings, her works invite sustained contemplation and an intuitive encounter with the spiritual and metaphysical dimensions of experience. Silence, solitude, and sustained attention are integral to her creative process, allowing drawing to become a form of contemplative inquiry.
The question of transcendence also informs her scholarly research. She holds a PhD in Art from the Academy of Fine Arts, University of Mostar. Her doctoral dissertation, Drawing in Contemporary Art as a Medium for Expressing the Transcendent, examines the potential of drawing to articulate spiritual and metaphysical experience within contemporary art. Her research has also resulted in two articles published in the peer-reviewed journal Religions: Attempts to Communicate the Transcendent in Contemporary Art: An Artist’s Point of View (2023) and The Quest for Inner Freedom: An Artist’s Perspective (2025). Kičinbači earned an MFA in Graphic Arts from the Academy of Fine Arts, University of Zagreb, and completed postgraduate studies in Painting at the Academy of Fine Arts and Design, University of Ljubljana. She is an Associate Professor at the Faculty of Teacher Education, University of Zagreb, where her teaching encompasses visual arts and visual communication.
Her work has been exhibited in solo and group exhibitions in Croatia and internationally, including across Europe, the United States, South America, the United Arab Emirates, and Japan. Her distinctions include the International Prize Leonardo da Vinci (2023), the Global Art Virtuoso: Elite Artistic Career Achievement Award (2024), and the El Greco – Premio de las Bellas Artes (2025), among other international recognitions. She is a member of the Croatian Association of Visual Artists (HDLU), the Association of Print Scholars (APS), Circle Foundation for the Arts, and SV Space – San Vidal in Venice.
Ivana Gagić Kičinbači (b. 1980) is a Croatian contemporary artist whose practice explores drawing as a space of inquiry into transcendence, inner freedom, and the relationship between the visible and the invisible. Working across drawing, visual poetry, artist’s books, and digital printmaking, she develops a distinctive visual language in which gesture, line, rhythm, and the material qualities of the image become means of articulating experiences that resist verbal expression.
Her practice moves between the immediacy of ink on paper and the sustained, layered processes of digital drawing. In her large-scale drawings and Drawing Diaries, the line becomes a physical trace of an intuitive and deeply personal process. Expressive gestures, accumulations, dissolutions, and transparencies register the movement of thought and feeling across paper and canvas. In her digital drawings, this process continues through the layering and transformation of visual elements, allowing meaning to emerge gradually through the act of making. Her deliberately reduced compositions explore the relationship between presence and absence, materiality and immateriality, movement and stillness. Rather than illustrating predetermined meanings, her works invite sustained contemplation and an intuitive encounter with the spiritual and metaphysical dimensions of experience. Silence, solitude, and sustained attention are integral to her creative process, allowing drawing to become a form of contemplative inquiry.
The question of transcendence also informs her scholarly research. She holds a PhD in Art from the Academy of Fine Arts, University of Mostar. Her doctoral dissertation, Drawing in Contemporary Art as a Medium for Expressing the Transcendent, examines the potential of drawing to articulate spiritual and metaphysical experience within contemporary art. Her research has also resulted in two articles published in the peer-reviewed journal Religions: Attempts to Communicate the Transcendent in Contemporary Art: An Artist’s Point of View (2023) and The Quest for Inner Freedom: An Artist’s Perspective (2025). Kičinbači earned an MFA in Graphic Arts from the Academy of Fine Arts, University of Zagreb, and completed postgraduate studies in Painting at the Academy of Fine Arts and Design, University of Ljubljana. She is an Associate Professor at the Faculty of Teacher Education, University of Zagreb, where her teaching encompasses visual arts and visual communication.
Her work has been exhibited in solo and group exhibitions in Croatia and internationally, including across Europe, the United States, South America, the United Arab Emirates, and Japan. Her distinctions include the International Prize Leonardo da Vinci (2023), the Global Art Virtuoso: Elite Artistic Career Achievement Award (2024), and the El Greco – Premio de las Bellas Artes (2025), among other international recognitions. She is a member of the Croatian Association of Visual Artists (HDLU), the Association of Print Scholars (APS), Circle Foundation for the Arts, and SV Space – San Vidal in Venice.
Ivana Gagić Kičinbači (b. 1980) is a Croatian contemporary artist whose practice explores drawing as a space of inquiry into transcendence, inner freedom, and the relationship between the visible and the invisible. Working across drawing, visual poetry, artist’s books, and digital printmaking, she develops a distinctive visual language in which gesture, line, rhythm, and the material qualities of the image become means of articulating experiences that resist verbal expression.
Her practice moves between the immediacy of ink on paper and the sustained, layered processes of digital drawing. In her large-scale drawings and Drawing Diaries, the line becomes a physical trace of an intuitive and deeply personal process. Expressive gestures, accumulations, dissolutions, and transparencies register the movement of thought and feeling across paper and canvas. In her digital drawings, this process continues through the layering and transformation of visual elements, allowing meaning to emerge gradually through the act of making. Her deliberately reduced compositions explore the relationship between presence and absence, materiality and immateriality, movement and stillness. Rather than illustrating predetermined meanings, her works invite sustained contemplation and an intuitive encounter with the spiritual and metaphysical dimensions of experience. Silence, solitude, and sustained attention are integral to her creative process, allowing drawing to become a form of contemplative inquiry.
The question of transcendence also informs her scholarly research. She holds a PhD in Art from the Academy of Fine Arts, University of Mostar. Her doctoral dissertation, Drawing in Contemporary Art as a Medium for Expressing the Transcendent, examines the potential of drawing to articulate spiritual and metaphysical experience within contemporary art. Her research has also resulted in two articles published in the peer-reviewed journal Religions: Attempts to Communicate the Transcendent in Contemporary Art: An Artist’s Point of View (2023) and The Quest for Inner Freedom: An Artist’s Perspective (2025). Kičinbači earned an MFA in Graphic Arts from the Academy of Fine Arts, University of Zagreb, and completed postgraduate studies in Painting at the Academy of Fine Arts and Design, University of Ljubljana. She is an Associate Professor at the Faculty of Teacher Education, University of Zagreb, where her teaching encompasses visual arts and visual communication.
Her work has been exhibited in solo and group exhibitions in Croatia and internationally, including across Europe, the United States, South America, the United Arab Emirates, and Japan. Her distinctions include the International Prize Leonardo da Vinci (2023), the Global Art Virtuoso: Elite Artistic Career Achievement Award (2024), and the El Greco – Premio de las Bellas Artes (2025), among other international recognitions. She is a member of the Croatian Association of Visual Artists (HDLU), the Association of Print Scholars (APS), Circle Foundation for the Arts, and SV Space – San Vidal in Venice.
Ivana Gagić Kičinbači’s writing on her artistic practice
Attempts to Communicate the Transcendent in Contemporary Art: An Artist’s Point of View
The Quest for Inner Freedom: An Artist’s Perspective
Ivana Gagić Kičinbači’s writing on her artistic practice
Attempts to Communicate the Transcendent in Contemporary Art: An Artist’s Point of View
The Quest for Inner Freedom: An Artist’s Perspective
Ivana Gagić Kičinbači’s writing on her artistic practice
Attempts to Communicate the Transcendent in Contemporary Art: An Artist’s Point of View
The Quest for Inner Freedom: An Artist’s Perspective
Ivana Gagić Kičinbači’s writing on her artistic practice
Attempts to Communicate the Transcendent in Contemporary Art: An Artist’s Point of View
The Quest for Inner Freedom: An Artist’s Perspective
Kičinbači’s writing on her artistic practice
Attempts to Communicate the Transcendent in Contemporary Art: An Artist’s Point of View
The Quest for Inner Freedom: An Artist’s Perspective
2025, El Greco – Premio de las Bellas Artes 2025, ICM Gestora Cultural, Barcelona, Spain
2025, 1st Prize - Landscapes for William Turner—Landschaften für William Turner, Enter into Art award, editor: Kurt Riese | Köln, Germany
2025, The New Great Masters in New York, International Prize, Fondazione Effeto Arte | New York, USA
2024, Global Art Virtuoso: Elite Artistic Career Achievement Award, Contemporary Art Collectors
2024, Honorable Mention—Inspiration Venice – Inspiration Venedig, Enter into Art award, editor: Kurt Riese | Köln, Germany
2023, Harmony for Humanity: The Global Consciousness Art Prize Awarded, Contemporary Art Collectors
2023, International Prize Leonardo da Vinci | National Museum of Science and Technology Leonardo da Vinci, Milan, Italy
2023, Career Art Award 2023, the Artistic Career Prize awarded by the EFFETTO Arte Foundation | Sanremo, Italy
2023, Artist Excellence Award, Circle Quarterly Art Review Magazine Contest, Circle Foundation for the Arts | Lyon, France
2023, 2nd Prize—Magic of La Bohème: An Homage to Paris and Puccini, Enter into Art award, editor: Kurt Riese | Köln, Germany
2023, TOP ARTISTS – The Protagonists of Contemporary Art, May 18, 2023 | Capitulary Hall of the Palace of St. Theodore, Venice, Italy
2022, 2nd Prize—Excellent Art 2022 - Exzellente Kunst 2022, Enter into Art book design award, editor: Gabriele Walter | Köln, Germany
2022, 2nd prize International Jury Award - Art Competition LOUNGE 2022 for artwork Blessed are those who endure in peace | Köln, Germany
2022, Honorable Mention—Odyssey of Life: Homage to Homer, book design award, editor: Kurt Ries | Köln, Germany
2021, Bernstein Prize, Amber Award—Print, international competition 6th Enter into Art, award for digital print The Earth | Köln, Germany
2019, Honorable Mention - Excellent Art 2019—Exzellente Kunst 2019, book design award, editors: Gabriele Walter, Kurt Ries | Köln, Germany
2025, El Greco – Premio de las Bellas Artes 2025, ICM Gestora Cultural, Barcelona, Spain
2025, 1st Prize - Landscapes for William Turner—Landschaften für William Turner, Enter into Art award, editor: Kurt Riese | Köln, Germany
2025, The New Great Masters in New York, International Prize, Fondazione Effeto Arte | New York, USA
2024, Global Art Virtuoso: Elite Artistic Career Achievement Award, Contemporary Art Collectors
2024, Honorable Mention—Inspiration Venice – Inspiration Venedig, Enter into Art award, editor: Kurt Riese | Köln, Germany
2023, Harmony for Humanity: The Global Consciousness Art Prize Awarded, Contemporary Art Collectors
2023, International Prize Leonardo da Vinci | National Museum of Science and Technology Leonardo da Vinci, Milan, Italy
2023, Career Art Award 2023, the Artistic Career Prize awarded by the EFFETTO Arte Foundation | Sanremo, Italy
2023, Artist Excellence Award, Circle Quarterly Art Review Magazine Contest, Circle Foundation for the Arts | Lyon, France
2023, 2nd Prize—Magic of La Bohème: An Homage to Paris and Puccini, Enter into Art award, editor: Kurt Riese | Köln, Germany
2023, TOP ARTISTS – The Protagonists of Contemporary Art, May 18, 2023 | Capitulary Hall of the Palace of St. Theodore, Venice, Italy
2022, 2nd Prize—Excellent Art 2022 - Exzellente Kunst 2022, Enter into Art book design award, editor: Gabriele Walter | Köln, Germany
2022, 2nd prize International Jury Award - Art Competition LOUNGE 2022 for artwork Blessed are those who endure in peace | Köln, Germany
2022, Honorable Mention—Odyssey of Life: Homage to Homer, book design award, editor: Kurt Ries | Köln, Germany
2021, Bernstein Prize, Amber Award—Print, international competition 6th Enter into Art, award for digital print The Earth | Köln, Germany
2019, Honorable Mention - Excellent Art 2019—Exzellente Kunst 2019, book design award, editors: Gabriele Walter, Kurt Ries | Köln, Germany
2025, El Greco – Premio de las Bellas Artes 2025, ICM Gestora Cultural, Barcelona, Spain
2025, 1st Prize - Landscapes for William Turner—Landschaften für William Turner, Enter into Art award for artwork Calming the Storm, editor: Kurt Riese | Köln, Germany
2025, The New Great Masters in New York, International Prize, Fondazione Effeto Arte | New York, USA
2024, Global Art Virtuoso: Elite Artistic Career Achievement Award, Contemporary Art Collectors
2024, Honorable Mention—Inspiration Venice – Inspiration Venedig, Enter into Art award, editor: Kurt Riese | Köln, Germany
2023, Harmony for Humanity: The Global Consciousness Art Prize Awarded, Contemporary Art Collectors
2023, International Prize Leonardo da Vinci | National Museum of Science and Technology Leonardo da Vinci, Milan, Italy
2023, Career Art Award 2023, the Artistic Career Prize awarded by the EFFETTO Arte Foundation | Sanremo, Italy
2023, Artist Excellence Award, Circle Quarterly Art Review Magazine Contest, Circle Foundation for the Arts | Lyon, France
2023, 2nd Prize—Magic of La Bohème: An Homage to Paris and Puccini, Enter into Art award, editor: Kurt Riese | Köln, Germany
2023, TOP ARTISTS – The Protagonists of Contemporary Art, May 18, 2023 | Capitulary Hall of the Palace of St. Theodore, Venice, Italy
2022, 2nd Prize—Excellent Art 2022 - Exzellente Kunst 2022, Enter into Art book design award, editor: Gabriele Walter | Köln, Germany
2022, 2nd prize International Jury Award - Art Competition LOUNGE 2022 for artwork Blessed are those who endure in peace | Köln, Germany
2022, Honorable Mention—Odyssey of Life: Homage to Homer, book design award, editor: Kurt Ries | Köln, Germany
2021, Bernstein Prize, Amber Award—Print, international competition 6th Enter into Art, award for digital print The Earth | Köln, Germany
2019, Honorable Mention - Excellent Art 2019—Exzellente Kunst 2019, Enter into Art book design award, editors: Gabriele Walter, Kurt Ries | Köln, Germany
2025, El Greco – Premio de las Bellas Artes, ICM Gestora Cultural, Barcelona, Spain
2025, 1st Prize - Landscapes for William Turner—Landschaften für William Turner, Enter into Art award for artwork Calming the Storm, editor: Kurt Riese | Köln, Germany
2025, The New Great Masters in New York, International Prize, Fondazione Effeto Arte | New York, USA
2024, Global Art Virtuoso: Elite Artistic Career Achievement Award, Contemporary Art Collectors
2024, Honorable Mention—Inspiration Venice – Inspiration Venedig, Enter into Art, editor: Kurt Riese | Köln, Germany
2023, Harmony for Humanity: The Global Consciousness Art Prize Awarded, Contemporary Art Collectors
2023, International Prize Leonardo da Vinci, curated by Dr. Salvatore Russo and Dr. Francesco Saverio Russo | National Museum of Science and Technology Leonardo da Vinci, Milan, Italy
2023, Career Art Award 2023, the Artistic Career Prize awarded by the EFFETTO Arte Foundation | Sanremo, Italy
2023, Artist Excellence Award, Circle Quarterly Art Review Magazine Contest, Circle Foundation for the Arts | Lyon, France
2023, 2nd Prize—Magic of La Bohème: An Homage to Paris and Puccini, Enter into Art award, editor: Kurt Riese | Köln, Germany
2023, TOP ARTISTS – The Protagonists of Contemporary Art, May 18, 2023 | Capitulary Hall of the Palace of St. Theodore, Venice, Italy
2022, 2nd Prize—Excellent Art 2022 - Exzellente Kunst 2022, Enter into Art book design award, editor: Gabriele Walter | Köln, Germany
2022, 2nd prize International Jury Award - Art Competition LOUNGE 2022 for artwork Blessed are those who endure in peace | Köln, Germany
2022, Honorable Mention—Odyssey of Life: Homage to Homer, book design award, editor: Kurt Ries | Köln, Germany
2021, Bernstein Prize, Amber Award—Print, international competition 6th Enter into Art, award for digital print The Earth | Köln, Germany
2019, Honorable Mention - Excellent Art 2019—Exzellente Kunst 2019, Enter into Art book design award, editors: Gabriele Walter, Kurt Ries | Köln, Germany
Art Market Experts and Contemporary Art Collectors, eds. Art Investment & Collectors’ Guide 2025: Most Investable and Prominent Artists. Wilmington, DE: Art Market Experts, 2025. ISBN 978‑9696492870
Contemporary Art Curator Magazine, no. 2 (2025): Visionaries: Artists Shaping the Future. Creative Catalysts for Change: Artistic Activism. London: Contemporary Art Curator Magazine, 2024. 252 pp. ISBN 978‑8409628971.
Art Market Experts and Contemporary Art Collectors, eds. Art Investment & Collectors’ Guide 2025: Most Investable and Prominent Artists. Wilmington, DE: Art Market Experts, 2025. ISBN 978‑9696492870
Contemporary Art Curator Magazine, no. 2 (2025): Visionaries: Artists Shaping the Future. Creative Catalysts for Change: Artistic Activism. London: Contemporary Art Curator Magazine, 2024. 252 pp. ISBN 978‑8409628971.










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